
Tere Mathern Dance PIVOT
choreographed by Tere Mathern
sez says: this was disappointing because the choreography appeared to be beautiful--but because 1) this was staged in a smallish theater in the round and it was hard to see much beside what was happening right in front of you. It was a struggle to try and see the entire company, and; 2) the dancers were not well matched in size and shape, nor did they seem to be well enough trained in general to dance together. This ended up making it hard to figure out who or what to try and watch. There were too many instances of dancers struggling to be in sync--and they were out of sync as often as they were in sync. The pity is some of the movements were to die for beautiful. There were parts that you could feel the tension that exists between people who are struggling between the poles of independence and dependence. I wanted them to pull together and I wished I had a seat from which I could better observe them --but neither was the case.
mjc says: perhaps it is too many amazing performances at the Joyce Theater in New York, but none of these dances move me or even grab me for a moment. With this one I must confess I was put off after reading the choreographer's notes--so much gibberish about movement theory and pseudo-philosophy probably prejudiced my viewing of the dance.
GRADE D+
TWISTED Choreographed and Danced by Tere Mathern and Minh Tran

GRADE D+
Minh Tran & Company KISS
Choreographed by Minh Tran
sez says: what a mixed bag-- lots of repressed and liberated sexuality on parade--and an interesting dance troupe, each individual having stand out qualities. But, again, too often things didn't come together, and there was at times more attitude than dance. The choreography was not inspired, the dancing was only acceptable.
mjc says: the costumes where trite, not to say hokey, but what was most startling was how the corps of dancers were shown to be clunky and awkward every time Minh Tran came on stage full of grace and beauty.
GRADE D+
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